Graphic Design Halloween Costumes (Part III)

It’s that time of year again, when leaves change, and the sky gets a crisper blue, and the evenings cool down, and you pull out your big cozy sweaters and cuddle up with your favorite someone over hot apple cider. Well actually, here in San Francisco, not that many leaves change, and your sweaters are already in heavy rotation after our freezing cold summers… but it still somehow feels undeniably like Fall now.

And that means Halloween is almost here, and the challenge of coming up with a fun graphic-design-related Halloween costume is once again upon us. As I unfortunately will be missing Halloween this year (because I’ll be on my honeymoon in South Africa—can’t pretend to be sad about that!) here are some costume suggestions for all the other designers out there, and I hope you guys do something incredible!

Villains and Horror Shows

X-acto, Chip Kidd’s Batman Nemesis in “Batman: Death by Design”

Chip Kidd, the famous book cover designer (see my post on him here), has also written several books including an issue of Batman titled “Death by Design.” The premise is pretty amazing, with architecture- and construction-related villains wreaking havoc on Gotham City, including the punny “X-acto” named after a designer’s best trimming & cutting friend (read more about the plot). It occurred to me that this villain would make an excellent design-related costume, but apparently the idea had already occurred to this woman! Her silver-gloved get-up and fabulous headpiece are great inspiration for a pretty epic DIY costume. (source)

Pixel and Pilcrow - Graphic Design Halloween Costumes - X-Acto

The Death of Print

Whether you think claims of an upcoming and inevitable “death of print” are baseless fear-mongering or an informed view of a technological revolution, this costume allows for fun, dramatic, nerdy, puny creativity—all my favorite costume characteristics. And it’s a great conversation starter! (source)

Pixel and Pilcrow - Graphic Design Halloween Costumes - Death of Print

Bad Kerning

I wasn’t able to find an example of this costume already done, but I feel like there is a lot of potential here. Whether you’re using bad kerning to make silly click/dick jokes, or just trying to horrify your designer friends, there’s plenty of room for fun. One idea is going with a group where each person is a different letter, and spend the evening playing with ways to be improperly spaced—lots of photo ops!

Internet Related

In previous costume post, I featured Internet-themed costumes such as the Firefox Logo and an 8-Bit Avatar. Recently I found a few great additions to this collection—meme, app and emoji inspired costumes! Check out these hilarious black-and-white greeting-card ladies (source), classy app icons, emoji group (source), and beer-drinking smiling pile of poo!

Pixel and Pilcrow - Graphic Design Halloween Costumes - eCardsPixel and Pilcrow - Graphic Design Halloween Costumes - App IconsPixel and Pilcrow - Graphic Design Halloween Costumes - EmojisPixel and Pilcrow - Graphic Design Halloween Costumes - Emojis

Follow Ups from Previous Posts (I and II)

Some great new ideas for a Pixelated costume:

Pixel and Pilcrow - Graphic Design Halloween Costumes - Pixelated 1 Pixel and Pilcrow - Graphic Design Halloween Costumes - Pixelated 2 Pixel and Pilcrow - Graphic Design Halloween Costumes - Pixelated 3

… and new ideas for Famous Artwork, especially the Roy Lichtenstein girl:

Pixel and Pilcrow - Graphic Design Halloween Costumes

Last Minute Costume

My favorite Easy Out costume this year is to get together with some buddies for a CMYK costume. With other group sizes, you could do a 3-person as RGB or a couple as BW. And if you’re the only costume-procrastinator, there’s always my favorite from the last post, Error 404: Costume Not Found.

Pixel and Pilcrow - Graphic Design Halloween Costumes - CMYK

And finally, if you want to bring your design-related Halloween theming to an all time high, try your hand at carving a Pantone Pumpkin!

Pixel and Pilcrow - Graphic Design Halloween Costumes - Pantone PumpkinEnjoy your Halloween!

Off the Page: The Undulating Words of Gabriel García Marquez

The interplay between literature and the various visual arts—paintings that tell stories, or books that describe paintings, or any other cross-artform conversation—has always been fascinating to me. And being the book lover that I am, artwork based on the written word itself has always captured my imagination, from the Winnie-the-Pooh movies I watched as a kid, to the Sochi Olympics Opening Ceremonies.

Winnie-the-Pooh words in the rain

Sochi Opening Ceremonies -  great Russian poets and writers

So when I discovered this “ocean of words” honoring Gabriel García Marquez, from Spain-based creative group Think Big Factory and creative agency Barrabes Meaning, I was absolutely mesmerized.


From an article on

Choosing a particular motif to trace through his work—in this case, the ocean—they set up an intricate multimedia installation involving 10,000 words 3D printed in real time.

Travesía por los estados de la palabra,” which premiered at the international art fair of Madrid, ARCOmadrid in February, was inspired by a speech given by García Marquez at the First International Congress of the Spanish Language in Zacatecas (Mexico) in 1997 called “Bottle the sea for the God of words.”

The speech is about “the power of words in the image era”—a still-relevant concept, especially in the Internet’s zeitgeist of diminished word use and 140-word tweets.

It is conceptually, visually, experientially stunning. I love this homage to “the power of words in the image era,” and the role words play in the greater social landscape, which is so evocatively visualized in this ocean. The sense of movement, based off of real-time data of word-use on Twitter, gives me the same sense of wonder as the starling murmurations I was inspired by for one of my favorite school projects.

The technology they harnessed to build this piece is also super interesting. More from the PSFK article:

The choice and arrangement of the waves behind the words is affected by the contemporary use of Márquez’s words about water by the general populace. The motion of the 3D-printed words is determined by data extracted from Twitter through a program designed in openFrameworks.

The room, on a larger scale, is a representation of what the creators’ software does, taking the elusive qualities of language and transforming them into a physical manifestation. This is made especially evident through the tirelessly working 3D printers that remain on display, and the words that flow ceaselessly through the room.


It is so fitting that this creative exploration, pushing the envelope for the experience of the written word, was done to honor the memory of a man whose writing pushed the boundaries of the believable. I was fascinated by Gabriel García Marquez’ works, and wrote my own, rather humble, memorial to the man in this blogpost; it is lovely to see that not only will his stories live on, but his ideas will inspire art and conversations like this, still very relevant to our society today.

Exploring Stories

I can’t believe it’s been almost a year since I finished my thesis project, Same Moon, and graduated from my MFA program! Time flies, especially when you’re no longer pulling all-nighters.

My thesis project was a two-year process, and it was incredibly challenging, but it was also so much fun. Possibly my favorite part of this multifaceted project was designing an interactive ebook, which I called Exploring Stories, that used stories to allow a traveler to explore a famous historical place.

Exploring Stories - LaunchThe concept for Exploring Stories was, whether visiting a site or simply exploring from the armchair at home, users could read stories that were geotagged to specific spots within a map of the tourist destination (Angkor Wat, in the case of my demo), and explore the rich heritage of the place, told from many different perspectives and times throughout history.

The stories represented the physical space, and were navigated via a map rather than a traditional, linear Table of Contents. Users could bookmark their favorites, or explore other stories from the same time period or perspective. Users could also add their own stories to the map, to share with others or keep private in a sort of journal.

For users who were actually at Angkor Wat, their position showed up on the map so the app could be used almost as a guide, and users could access the stories near to them, and stand in the places the story was referencing.

Check out the demo video I put together below:

It was so much fun for me to explore what reading could be, and really push the limits of what defines a book or a reading experience. I love that the interactivity of ebooks or apps allows for new kinds of interaction—in mine, the user gets to go exploring, choose their own adventure and even add their own stories to the “book.” And the interactive abilities allowed me to build a tool that enabled users see the world from different perspectives, and provided an engaging portal to access history and make it come alive, rather than be lost in the past.

exploringstories-map1 exploringstories-map2  Screen Shot 2015-04-16 at 11.18.53 AMexploringstories-bayon exploringstories-train

I was inspired in a lot of ways by The Silent History app, which I wrote about in a previous blogpost, and by an amazing service called Maptia, where users tag blogposts to a map of the globe. If you aren’t familiar with them, I highly recommend checking both of them out!

Goodreads App: Back from the Dead

This summer, during an effort to streamline the apps on my phone and organize them in a more coherent way, I decided to finally get rid of my Goodreads app. It made me sad, but honestly, I never used it.

Goodreads is one of those products that I want to love. It’s right up my alley, using technology to enhance the reading experience in new ways. It’s focus on the social aspects reading—the shared experiences created by reading books, recommending books, talking about books, and discovering new books, is awesome. I love it. I religiously update my profile online every time I finish a new book.

But that Goodreads iPhone app was not great. I was really not a fan of their brown-on-brown-on-brown color scheme, and it was kind of clunky to use, with its opening screen taking me from my iPhone homepage to a second homepage of Goodreads app-like icons that seemed to head off into their own worlds. In addition to these icons, there were five navigational options along the bottom bar, and along the top, a Search Bar and Messages and Updates indicators. There were so many options, a lot of which I wasn’t interested in, that it felt more overwhelming rather than enticing me to use it. It didn’t help that the app seemed buggy and was constantly logging me out.

the old Goodreads homepage

So I was thrilled when I learned recently (thanks to this TechCrunch article), about the Goodreads app redesign. Glad for the excuse to give their app another try, I immediately re-downloaded it from iTunes App Store. Upon opening it I was greeted with this elegantly simple What’s New page:

Goodreads UpdateUnfortunately they have stuck to their brown-shtick (only so much you can do about branding), but aesthetically I’m a fan of the simple line-icons, layout and clean typography that is much more inline with the new iOS style. Tapping “Get Started” took me to their new Home screen which is perhaps the best improvement in the new app—instead of a landing page of “app” icons, I was immediately shown content in the form of a newsfeed. This is similar to the Goodreads website experience, and makes so much sense, as it is bringing the focus of the app back to social activity.

Outside of the new Home screen experience, a lot of the functionality has been simplified to focus on key interactions, but remains fundamentally the same. Previously there were five icons along the bottom,and now there are four: Home (the Newsfeed), My Books, Search, Scan, and More (which hides all the extra less-frequently-used functionality previously found on the homepage). At the top of the screen, the Messages and Updates notifications have been removed, leaving only the Search Bar. Even this is a little unnecessary, considering that there is also a Search Icon on the bottom, and I might be tempted to get rid of it, perhaps replace it with some sort of title or branding.

All in all I think this redesign has made a significant difference to the app experience. Goodreads hasn’t done anything groundbreaking or really actually exciting from a design perspective. What is exciting about it is that they’ve *finally* released a redesign that is a significant improvement over their previous app design, and they did a pretty good job with it. It has definitely increased the usefulness of the app for me, resulting in it once again earning a place in the reading section of my phone.

The reading section of my phone

Use Your Words! The Creative Typography of Ben Wiseman

I recently discovered a mini treasure trove of book covers designed by Ben Wiseman (view his portfolio). He seems to be best known for bold, simple graphic illustrations, but I was completely bowled over by his typographic book covers. These covers focus on the creative design of the letterforms, and imbue the titles themselves with subtle significance and a sense of visual delight.

I was impressed with his creativity and the range of styles that he was able to bring to this collection of book covers. From clean, vector san-serifs for The Shallows to rough, textured, hand-painted letterforms for The Melting Season, Wiseman brings rich visual detail and attention-grabbing graphics that are appropriate to each title. I also love his bright color palettes—a skill he no doubt honed as an illustrator, Wiseman’s color combinations bring a fun energy to the typography. These six are some of my favorites:


I came across a fun interview with Ben Wiseman talking about his career and design process. It was interesting to read his thoughts on what makes a good cover, and his favorite examples of this artform:

“A great book jacket is one that makes you pick it up. It can be a great photo or a great illustration or just a great concept. But the best ones are the ones that stop you in the store and make you look. As for favourites, I love Paul Rand’s cover for HL Menken’s Prejudices and Alvin Lustig’s Lorca.”

You can how these two covers, with their hand-drawn type and bold, arresting style, have influenced Wiseman’s work.

Another part of the interview that I enjoyed was about his process. Wiseman is thorough and reads the whole book to brainstorm ideas, but he also places an admirable faith in “happy accidents”to get to his final design:

“I always read the book, and spend the whole time bouncing ideas around in my head. Usually I might have a couple of ideas halfway through the book, and usually those won’t go anywhere. But once I’ve sat with the book for a while, and thought about it for a few days, things usually start coming together. And after I start working, there are hopefully some happy accidents that occur.”

Looking at Wiseman’s  book covers I was also interested to note that he submitted a cover for John Bertram’s Recovering Lolita project that I wrote about in a previous post, Lo. Lee. Ta. A Collection of Covers. This cover is a combination of an obsessive, hand-written “Lolita” over and over, censored and hidden by black marks and a clean, white ripped paper with the author’s name. Appropriately intriguing, foreboding and an unsettling combination of innocent and dark that hints at the themes of the book without revealing too much. And, once again, very much type-centric.


While I think Wiseman has made a name for himself mostly through his illustration, I will certainly be keeping my eye out for more of his great typographic covers in the future.


More Information about the Book Covers:

The Melting Season:,_book_jacket_designer,_New_York

The Shallows:

The Collective:

The Tragedy of Arthur:

And Then There’s This:


Four Years in a Book

Dear Readers,

My sincerest apologies in having been so neglectful in writing these last few months. I have been incredibly busy finishing my MFA (Masters of Fine Arts) in Graphic Design, and sacrificed a lot of my favorite pastimes—including gardening, watching movies, and unfortunately, writing blog posts—in order to do so. But the deed is done, my diploma in hand, and I am back!

One of the final steps in graduating, as a designer, is to put together a portfolio of the work I did over these last four years. While the vast majority of people view design portfolios online, and when I go to interviews all I really ever show is my portfolio website on my iPad, we are still required to also create a beautifully designed portfolio book to showcase our work. And I have to say—despite it being less relevant than it used to be, I’m really glad to have my work collected in such a lovely, bound anthology. There is something about the heft of a book, the texture of a page, and going through all those projects one page after another, that gives a certain feeling of gravitas to my work. For all its versatility and accessibility, the online portfolio just doesn’t quite capture that same feeling.

Working Magic: TOCI had a lot of fun designing my portfolio book. I am interested in digital design and book design, and I love both cutting edge design developments as well as the history and tradition of design going back to the days before set type and the printing press, so I tried to bring that juxtaposition of modern design and design heritage into my portfolio. I chose an old-fashioned blackletter typeface and a modern sans serif, I found layout inspiration in the simplicity of pages from illuminated manuscripts, and tracked the project number in the upper right corner in a visual style that echoes the step by step indicator in software wizards. In general, I tried to exemplify my personal style, with clean and elegant layouts, lots of white space, bright colors and  little details that add fun and a bit of interest to the simplicity.

As I mentioned in a previous post, Capable of Working Magic, my portfolio design was inspired in part by a quote from Carl Sagan. In it, he talks about the power of books to communicate and bring together people from different epochs, which to him seems “proof that humans are capable of work magic.” I love that quote for many reasons, and in particular for how it seems to really express delight in design.  This idea of delightful design is something I value, and wanted to emphasize throughout my portfolio.

Working Magic-IntroductionWorking Magic-quoteOne of the challenges to creating a beautiful, professional book is figuring out how to present the rough stuff—the process, the sketches, the drafts—in a way that doesn’t look jarring next to the polished finished work. One technique I used was to put the wireframes or sketches on a navy background, sometimes with little notes scrawled on the edges to show thought process and development.

WorkingMagic-wireframesWorkingMagic-LogoSketchesAnother fun design challenge was designing my portfolio website. For all that I love my portfolio book, at the end of the day my website is more important. The challenge with the website was to create an interactive, responsive, screen-viewing experience that had the same aesthetic as the physical 8×10 printed book that I designed. This meant the same typography styles and color scheme, and a simple, clean layout that referenced the layouts I used in the book, but adapted for the web viewing experience, taking into account things like the ability to scroll and needing to look good on screen sizes changing from a large desktop to a potential employer’s small smartphone.

Working Magic-Chap1

PortfolioWebsiteIf you are interested in viewing more of my portfolio book, you can find it online on issuu, and my online portfolio is at

Gabriel García Márquez Ha Muerto

A great man died today. Gabriel García Márquez gave the world some amazing stories—stories filled with imagination and poignancy, that blurred the line between human reality and the fantastically impossible.

Gabriel García Márquez

The New York Times shares:

The Magus of magical realism, Gabriel García Márquez — who died on Thursday at his home in Mexico City, at the age of 87 — used his fecund imagination and exuberant sleight of hand to conjure the miraculous in his fiction: plagues of insomnia and forgetfulness, a cluster of magical grapes containing the secret of death, an all-night rain of yellow blossoms, a swamp of lilies oozing blood, a Spanish galleon marooned in a Latin American jungle, cattle born bearing the brand of their owner. (read more)

While I can’t call One Hundred Years of Solitude or Love in the Time of Cholera my absolute favorite books, those stories captured my imagination and stuck with me far longer than most, and they left their mark on our culture.

In honor of his work and his life, I’m taking a quick break from my thesis to share a collection of covers for his books:


Gabriel García Márquez